Wednesday, August 3, 2011

Fantasy projection exercise

The basis of Master/slave dynamics in Code d' Odalisque is "fantasy projection". The odalisque is a passive materia upon which the male (Slavekeeper) projects his "inner female", his inner fantasy woman. The odalisque makes herself - and allows herself to be made into - the woman of her Keeper's dreams. An odalisque does not pursue her own fantasies. She makes herself a willing puppet to be used in her Keeper's fantasies. Her task is to make herself into the fantasy female her Keeper has always dreamed about. In effect, she becomes a SCREEN.

Here is an exercise in fantasy projection:

The Keeper introduces the slave to his fantasy. He fantasizes about cumming (ejaculating) down a woman's throat. In this fantasy the woman kneels on the floor, holds her head back, opens her mouth wide, and he cums down her throat. He must be clear in his own mind exactly how he fantasizes doing this.

The slave is then instructed in how she must think about this fantasy. Her job is to make this fantasy real. She must be the Keeper's fantasy female. So the question must be, what exactly is this female like? and how exactly does she do this sex act? Questions: Is her tongue out? Are her eyes open? Is her hair tied back? How far back is her head tilted?

The slave next starts to demonstrate various postures to her Keeper, hoping to imitate the fantasy female. The Keeper is only allowed to say "yes" or "no". The slave shows him how she holds her mouth open, eyes shut. He says no. Eyes open. He says yes. And so on. The slave must try to work out exactly how his fantasy goes. In the end the slave might discover that in his fantasy the woman has her tongue out, eyes open and intense, hair unruly, head so far back it is almost straining.

In this exercise the slave tries various positions, the Keeper says yea or nay, until the slave can determine EXACTLY how to render her Keeper's fantasy a reality.

Now she can be a FANTASY PROJECTION. She can so approximate the man's fantasy that he effortlessly projects the scene onto her. To be an effective SCREEN for fantasy projection the slave must watch and learn carefully and try as far as possible to be an accurate rendering of the fantasy female of the man she serves.

Fantasy projection is what happens when fantasy meets reality, when the slave so nearly corresponds to her Keeper's imagination that he PROJECTS his vision onto her. The slave makes herself a passive screen for this projection. That is the dynamics of slave play in Code d' Odalisque.

No comments: